All of my inspiration comes from the women for whom I personally create looks—sometimes that is for a mother at a department store, sometimes it is for a young woman just learning how to wear make up, sometimes it is for a private client for a photo shoot, and sometimes it is for an amazing artist.
While I never sought out performers and celebrities as clients, it seems that word of the type of work I do, and how they could use my talents, spread. I have been very fortunate to have worked on some of the most talented women in Toronto. Each of them has allowed me to create signature looks, while working with me to carefully construct a representation of their own style.
Christine Horne is one of the most delightful women with whom I have ever worked. Always happy, smiling, and in such a good mood. I have wondered, more than once, if she is ever cross or ever gets in a bad mood. Often she reminds me that laughing is always a great choice.
Christine won the Dora Mavor Moore Award in 2010 for her performance in The Turn of the Screw, and was nominated again in 2012. She is a versatile Shakespearean actor, having played Juliet at Canadian Stage, Viola at Resurgence Theatre, Weird Sister at Classical Theatre Project, and Desdamona on the CBC. She is also a Dora-nominated producer for her work on Gorey Story, and NOW Magazine called her one of the Top 10 Theatre Artists of 2012.
Not to be relegated to theatre, Christine is also an accomplished film actor, having shared the lead role in The Stone Angel with Academy Award-winner Ellen Burstyn. She has been directed by Atom Egoyan in The Captive, and she is has been seen in many popular television shows, including Flashpoint, Republic of Doyle, Rookie Blue, and King. Her film work has been seen at both TIFF and the TriBeca Film Festival.
Recently, I asked this very talented woman what beauty means to her:
"For me, beauty is comfort. Feeling comfortable in the clothes that I’m wearing, in the makeup I do or don’t have on, in my own body and my own skin. When I feel like me, then I feel beautiful. When I feel like I’ve tried a little too hard, put on clothes or makeup that aren’t quite me, I feel like the aesthetic might be beautiful, but it’s not authentic. I’ve fooled everybody. It’s not my true beauty. And oftentimes that’s just what my job requires—to step outside my own comfortable beauty and inhabit something a little more glamorous—but that never feels like me.
I had very long blonde hair for all of my teenage and university years. When I was graduating from theatre school—about to step out into the world as an actor—I realized that I didn’t want to present myself that way. I fit a very marketable mold and I just knew, somehow, that I was not interested in the work that might come to me based on “my look.” The Girl Next Door. The Girlfriend. I didn’t want that, I knew it wasn’t for me. So, I cut off my hair just before I graduated and have kept it short ever since. I’m sure it has cost me work, but the work that comes to me now is work that is absolutely right for me.
It gives me confidence in my abilities and my craft, because I always know that I have been cast in spite of not fitting the mold. There are a hundred young blonde actresses in this city who are all way more marketable than I am. When I book a job, I know it is because they have seen my beauty. They have seen me.
I am inspired by the individuality of the women around me. Women who are unapologetically themselves make me want to be more true to myself."
Christine is as busy as ever. Never far from her next role, she can be seen currently in Lost Girl on Showcase, and you can see her on stage in the Canadian Stage production of Belleville opening on April 6th. Tickets are on sale now.
For more Redefining Beauty, click here.
Next month: Maureen Kennedy
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